The workspace built for post-sound editorial. A cue goes from a timecoded note, captured anywhere, to the sound you find in your own libraries, to the cue placed in your Pro Tools session: live, at the exact frame, with the SSPT cockpit.
Three moves. The third. Getting the take into Pro Tools. Is the one no spreadsheet makes, and the one Spotsheet is built around.
Drop timecoded notes and cues against picture, organized by category. Foley, FX, dialogue, music. Type them in, or pull director and client notes off any web page with the browser tool.
Pull the take from your own libraries and the tools you already work in. Spotsheet holds the cue and its exact frame, so the sound always lands in the right place.
The money move. Each cue lands in your open session at the exact frame, live.
This is the part a spreadsheet can't reach. The SSPT cockpit places your cues into your open Pro Tools session, live. Each one lands at the exact frame as a memory-location marker you can resolve in-session and restore anytime.
A director's spotting notes arrive in an email. The client's pass is a Google Doc. The delivery list lives in a portal. Ingest to Spotsheet is a browser tool that meets them where they live. Select the text on any web page and pull it straight into a project as cues.
Webmail, Google Docs, a delivery portal. If you can select it, you can ingest it. No copy-paste shuffle, no re-keying timecodes by hand.
A local rule-parser reads the selection and guesses timecode and category for each cue. It runs in your browser. no server AI, nothing leaves the page until you ingest.
Ingested cues land in your project ready to spot, match, and push to Pro Tools. Capture-from-anywhere → Spotsheet → Pro Tools.
Spotsheet tracks the people and the cues. Who added what, who changed it, who resolved it, and when. Accountability and clean handoffs, without standing over anyone's shoulder.
No shared logins. Invite anyone by email and they get a free account. Every invite is a new named collaborator, and no seat is required.
Grant exactly what a person needs. read, write, or edit, per tab. Notes-only, Cue Room, Review, History; the right people see the right rooms.
A per-project action log with full change attribution. Every create, edit, and resolve, newest first, attributed by name and undoable row by row.
Sound supervisors run entire feature films from spreadsheets. Notes in one tab, assignments in another, stems on Dropbox, review feedback over email. It works until it doesn't. And it never reaches the session.
Spreadsheet cells don't know what frame they're attached to. Notes get vague descriptions instead of precise timecodes. Editors waste time hunting.
Which bounce is current? v3_final or v3_final_FINAL? Stems live on Dropbox with no audit trail. Wrong versions reach the mix stage.
Who owns this note? Is it done? Sheets can't track assignment, status, or progress per editor. Supervisors chase people instead of managing sound.
However tidy the sheet, every cue still gets re-keyed into Pro Tools by hand. The note and the session never actually meet.
Purpose-built for post-sound. The surfaces that take a cue from spotting note to mix-ready stem, all under the same roof.
Every note is pinned to a frame. Drop notes against picture, see them in context, jump to any timecode instantly. No more "around the 12-minute mark."
The spotting-session surface. Multi-device, real-time sync. The supervisor leads, the team follows, everyone on the same frame at the same moment.
Clients review against picture. Directors, producers, and supervisors give feedback in context, and comments sync back to the notes automatically.
Every bounce tracked. Upload stems, compare versions, lock finals. Full history from first edit to mix-ready. Never lose a version again.
Picture-version management with timecode offsets, HQ and LQ proxies, and a pop-out video window that stays locked to your notes in real time.
The live routes assume an open session. When there isn't one, there's a quieter path that still feeds the editor.
For a supervisor or assistant working ahead of the editor: audition the library and pool candidate takes per cue. Three to five options, narrowed and tagged. When the editor opens the session, every cue already has its shortlist waiting. A head start, not the main flow.
Run the full workspace on desktop. Use your phone as a capture device or audit companion. Real-time sync keeps everyone on the same frame.
The full Spotsheet experience. Notes, Cue Room, Review, Media, video sync, History, and the Pro Tools cockpit. The supervisor's command center.
Two modes designed for the field. Audit mode follows desktop playback and lets you mark notes done. Capture mode is for rapid spotting on set.
Spotsheet gives each role exactly what they need, without the noise they don't.
Run the show. Spot notes, assign editors, manage stems, review deliverables, and push cues into the mix session. Across every reel and every editor.
Get clear assignments with timecodes. Pull from curated libraries, find the take, drag or live-spot it into Pro Tools, and bounce stems with version tracking.
Review against picture. Give feedback that flows directly to the editorial team. See progress without needing to understand the editorial pipeline.
Spotsheet is free to use, and free to grow. Bring the whole room.
There's no seat math to do and no plan to outgrow. Add an editor, a director, an assistant. Each gets their own account, their own attribution in the History log, and exactly the access you grant them.
Send an invite, they get a free account and join the project. No purchase, no seat to free up first.
Per-tab read / write / edit permissions. The right people in the right rooms, nothing more.
Timecoded notes, Cue Room, Review, the cockpit, History. Every capability, for everyone.
Stop re-keying cues into Pro Tools by hand. Spot it, find it, and get it into the session. It's free to start.
Start free